![]() Among the creative liberties taken by the producers is the deliberate misrepresentation of a handful of such cases (estimates range from four to 15) and the absurd claim that they represent the “gut-wrenching stories of 32,000 females”. The Kerala Story claims to dramatically reconstruct the saga of a few young women who converted to Islam and subsequently fled with their husbands to the Islamic State’s enclaves of Afghanistan and Syria. The rolling spectacle of an all-round “Hindu humiliation” – including graphic scenes depicting Hindu women being violently raped by Muslims – had lasted for more than two hours. ![]() Yet when they streamed out of the theatre, they looked more horrified than enraged, like sports fans numbed after their side has taken one beating after another. Occasionally, they broke out into passionate chants of “Jai Shri Ram”, the cry that often accompanies videos of “vigilante violence” committed against Muslims. A group of (largely) young Hindu men packed out the theatre. The sluggish air conditioning seemed to have given up against the sultry May heat. ![]() But the actual massacres ignited by this fake news eventually left about a hundred people dead, the vast majority of them Muslims.Ī fortnight ago, I watched the new Bollywood hit The Kerala Story, in a rundown cinema in Delhi. Those killings turned out to be the fevered imaginings of two Hindu “eyewitnesses”. What began as skirmishes exploded into widespread bloodletting after three leading Hindi daily newspapers published front-page headlines reporting the targeted killing of Hindus inside a hospital run by Muslims. T wo weeks after I was born in the curfewed town of Aligarh, in Uttar Pradesh, the Aligarh riots of 1990 broke out.
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